Tag Archives: Music Licensing

Donovan Tucker Mike Gladstone’s Yellow King

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Donovan Tucker Mike Gladstone‘s Yellow King

Review by Roy Elkins

This is one of those reviews that I am going to struggle writing as I can find almost nothing to improve upon in this song. When a person has so much respect for the two songwriters who wrote it, it is hard to give them constructive input. Donovan Tucker Mike Gladstone‘s Yellow King made my day and is why I started Broadjam – to get the opportunity to hear songs like this.

Donovan Tucker Mike Gladstone Roy Elkins

Donovan Tucker

This is an instrumental that begins with an “outlaw surf” guitar sound reminiscent of Eddy, Orbison, etc. It is played so tastefully that I could have stopped the song at 25 seconds and been completely happy with it. Behind the incredible guitar tone, percussion filled the spaces. A ratchet-like sound, along with some other effects, were strategically placed to support the snare landing on 4 (if you count like I do.) Brilliant use of simple instrumentation to make a great piece of music. I don’t know if I have ever listened to an instrumental ballad that was produced to this level of quality.

Donovan Tucker Mike Gladstone Roy Elkins

Mike Gladstone

The first guitar continues with a beautiful melody until approximately 47 seconds and then a classy flamenco guitar sound enters and tears it up. The feel of the performance and the tone of this guitar sound and performance is inspiring. As I am listening, many guitar gods are going through my head, Chet Atkins, Les Paul, Mark Knopfler, Lee Ritenour, Joe Walsh, Jon McLaughlin, maybe a little Hendrix, etc. One can always tell when a player has put their 10,000 hours in…..because they know when NOT to play. The spaces between the notes in this piece are as strong as the notes that are played. If this is the same person playing both of these parts, I am blown away. This is some of the best and tasteful work I’ve have ever heard.

Ok, now on to the song. This could easily find a place in a film. When one closes their eyes and listens to this, the scenery just flies by in your head. Instrumentals need to invoke an emotion or vision to be good, this does both. This made my personal playlist immediately within one minute and will be heard by many of my friends.

It is so hard to find anything constructive to say when a piece is done this well. So I will preface my comments with, “don’t change a thing.” But I also know that writers of this caliber want that detailed input to make their next project better.

If this was my song, there are just a couple of things that I might consider tweaking (if I was totally bored and didn’t have anything else to do.) 1.) The bridge comes in around 1:32 and a backup up synth pad is behind it. (Sounds like an old M1.) Since the tone of the patch is similar to the frequency range of the guitar, I might play a couple inversions up on the keyboard, or an entire octave. 2.) At 2:13 when the song and melody return to the verse, the ratchet-like sound and guitar are slightly off each other – the first time through I thought it might be distortion. So in a re-mix, I would edit these to begin at same time and bring the percussion slightly down in the mix for that first hit. Again, I emphasize that I find myself digging to really find something that I would improve. I am not sure either of these suggestions would advance the song or it would just sound more appealing to my own ears.

Mike Gladstone & Donovan Tucker are both great songwriters on their own. Working together they have produced a home run and certainly captured my attention. Great work to both of these writers and I hope they continue working together.

Donovan Tucker Mike Gladston‘s Yellow King

Additional links & good organizations

Press & educational links Hangout June 6, 2014, “Blanket” Music Licensing, Industry Projections, Celebrating Sonic Foundry, A Music Platform, Project Famous – Great Photographer, Models of Opportunity: How Entrepreneurs Design Firms

Crosseyed Miles Eternity reviewed by Roy Elkins

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Crosseyed Miles Eternity reviewed by Roy Elkins.

Crosseyed Miles Roy Elkins Broadjam

Crosseyed Miles

Here are my thoughts on Eternity.

Simply put, I love this song and the production. The sound selection around your vocal tone is just perfect. And speaking of vocal tone, it is unique and great. Kudos to you and the producer. One of the best songs I have heard in a while. It is difficult to provide feedback as I am not sure I can add much. Here goes; Roy Elkins

Song begins with a perfectly tuned acoustic guitar. A very tasteful “swell” enters at 12 seconds. Good vocal on top of the acoustic in the first verse, band begins to enter tastefully at 38 seconds. Backing tracks make the vocal shine and build nicely to 1:18, then back to the verse with the ag pulled back in the mix until later in the verse. Build begins and the listener can feel the subtle energy in the song. Really nice production…….

The lyric would be a great piece of poetry on it’s own. Love the line, “Like helicopters fall in fall from the maple trees.” I live on a farm and my yard is filled with helicopters at the moment.

I had to dig and listen several times to give any constructive feedback. If it was my song, I may start it right at 12 seconds when the swell begins or bring the acoustic back in at the very end of the song to resolve it…. I am not sure the opening line is as strong as the rest of the song. In a song of this caliber, the opening line is extremely important, but I don’t feel it sets up the song as well as it could….Guitar lead enters at 2:52, possibly a little too up front in the mix….The bridge is a little weaker than the rest of the song, but still strong….One last thought. Although I love the vocal phrasing, I am not sure the rhythm of the vocal is ideal for the current pop market. Do the following – Listen to your song without the vocal track and tap the rhythm of the current vocal as you are listening. I am sure you will hear some conflict with the rhythm of the band. If you feel inclined, try and sing the vocal a little more rhythmically with the tracks and see what you come up with. This also might bring melodic hooks more to the forefront. For my taste, it’s perfect the way it is and it has already made it into my playlists. But my tastes are not at all in line with what’s on the radio.

With your permission, I am going to send this to a few other people.

Great work….It’s a great tribute to your wife. I bet she is thrilled with this.

Hope this helps.

Eternity

Crosseyed Miles

Additional links & good organizations

Press & educational links Hangout June 6, 2014, “Blanket” Music Licensing, Industry Projections, Celebrating Sonic Foundry, A Music Platform, Project Famous – Great Photographer, Models of Opportunity: How Entrepreneurs Design Firms

Ingvi Thor Kormaksson’s I Remember My Father

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Ingvi Thor Kormaksson‘s I Remember My Father Review By Roy Elkins.

This is song you are going to listen to and probably won’t sing along with it as the lyrics are so good you don’t want to be distracted. It’s a touching song sung from the perspective of a son reflecting on his father’s life as a deep sea fisherman. If you close your eyes, you will see it unfolding before you as the writer creates brilliant imagery in this song.  I love the tale and it is the perfect traditional folk song.  Congratulations! Roy Elkins

Ingvi Thor Kormaksson

Ingvi Thor Kormaksson

I Remember My Father by Ingvi Thor Kormaksson

The first time through, I didn’t connect with the vocal and thought a different singer would do a better job.  I am not saying a better singer, just a different voice.  After listening several times through, I “believe” this singer and the story becomes more “convincing” each time I listen.

Ingvi Thor Kormaksson Roy Elkins Broadjam

Intro is really long and could be a piece of music unto itself. If it was my song, I would probably cut it.  Even though It is well played and nice to listen to, the lyric doesn’t start until 52 seconds. Because of this and the overall length, it probably wouldn’t get radio play. One other note about the length.  It is 5:13, which in today’s world is way too long. If it was my song, I would leave this as is and create another version without the intro which would bring the song to around 4:20. Then I might revisit verses 2, 3 & 4 and see if I could combine them into two verses instead of three.  I would also visit verses 5 & 6 and see if I could make one verse out of them. I worked on this a little at my desk and I think it’s doable without losing the story. Certainly the detail is compressed, but I think  you can do this and not lose the essence of the story.  If the writer decides to do this, I think he/she will have a better opportunity at placement in folk radio.

I mentioned this in a previous review that sometimes it is harder to mix two instruments than a full band. That may be the case here. Maybe a good mastering job is all this needs, but I don’t believe the sound is quite “broadcast” ready yet and needs more time behind the board. I would experiment with many different eq’ing and mixes on this as it will take the song to a much different place. Possibly some slight compression (usually not recommended) on the overall mix. The moment the producer finds the right mix & eq, it will be memorable.

Ingvi Thor Kormaksson Roy Elkins Broadjam

Ingvi Thor Kormaksson

In summary, I love the piece and would only modify the lyrics to create a shorter, more radio friendly version.  I recommend losing or significantly shortening the intro and spend some time experimenting with different eq’s and mixes. Ingvi Thor Kormaksson is a good songwriter.

Hope this helps.

Additional links & good organizations

Press & educational links Hangout June 6, 2014, “Blanket” Music Licensing, Industry Projections, Celebrating Sonic Foundry, A Music Platform, Project Famous – Great Photographer, Models of Opportunity: How Entrepreneurs Design Firms